Chappie

I'm glad my parents aren't hyper-criminals
who are also Die Antwoord.

"I am discovery. I am wonder. I am Chappie."

I feel like this tagline is a bit misleading in terms of the movie's tone, but then again I've never especially gotten the impression that tagline writers have any idea what movies are about. Welcome back to THE Tagline, where robots get set on fire just to watch them burn. Over the weekend I got out to the movies, because there was something that I actually wanted to see, and that was Chappie, the latest from South African-Canadian pain artist Neill Blomkamp, a man romantically involved with cinematic misery, and also science fiction I suppose. His last fictional foray was the aggressively unpleasant and almost completely unnecessary Elysium, a film where Matt Damon portrays a low-life who enlists the help of bigger low-lifes, to bring down the biggest, meanest, low-lifes of all, who live on a magical paradise in outer space. What you may be detecting is I didn't think much of Elysium. While still kind of a bummer, I found District 9, his first major theatrical release, to be substantially less shitty, and so with these two experiences from the director behind me, I figured that I had a 50/50 shot of either liking or hating Chappie, a movie about a police robot that gains sentience, in the caldera of violence and shittiness that is Johannesburg. How did I end up liking it? Well things went about 50/50. Let's start off with the basics.

The Santa Clause

hoo ho hooo.

"You've Never Seen Santa Quite Like This Before."

I wish I STILL hadn't seen Santa like this, but alas, no such luck. Welcome to the Tagline everyone, and Merry Christmas. If you don't celebrate Christmas, well don't worry, by the time I'm finished with this review no one will be celebrating. Grinch that I am, I thought I'd spread my holiday cheer by reviewing this ridiculous Kirk Cameron movie about how we need to all buy into the holy godliness of like hot cocoa or something, but my dreams for the world's misery were dashed because the stupid movie is still in a theater somewhere, and therefore not available on DVD. Bitter as this disappointment was to me, Christmas wasn't quite ruined yet. No there was still hope, as I channel surfed and fell right into a movie from Christmas past. This is 1994's The Santa Clause, a movie concept based almost entirely around a pun about contract law. If that sounds offensive, well I haven't even gotten to the part where it stars Tim Allen yet. That's right, fresh off the set of Home Improvement, and ready to ham it up in a Santa suit.  Merry Christmas folks.

Teenage Mutant Ninja Turtles (1990)

Turtle power!

"Heroes in a half shell!"

Hello friends, welcome back, to the Thursday edition of The Tagline, where movies are things that dominate most of your waking hours. Today I once again peer into the maelstrom of streaming media, and pluck out a gem from 1990, which if anyone was wondering is now about 25 years ago. I'm talking about those totally radical dudes, the Teenage Mutant Ninja Turtles. In particular I am talking about the first live action outing, not the one with that totally fresh Vanilla Ice song (haha I made a funny). This film was an interesting attempt to capitalize on the success of the TMNT in the mid to late 80s, first as a comic book and then later as a tv cartoon/merchandise and toys fuckstorm. This film acts as an origin story for the turtles, and also chronicles their first battle with the Foot and Shredder. An interesting thing to think about before I talk about the movie in greater detail, is that you are in somewhat perilous waters when you are trying to market a series that is about ninjas to children, because ninjas as a rule are assassins, in other words their job is murdering people. The original comic wasn't really intended for the kiddie audience, and so as it became mainstream concessions were made. At the end of the day though, they are still "ninjas" and that can cause problems. For instance censorship is apparently pretty wacky in the UK, and they changed the name to Teenage Mutant Hero turtles for the 1987 cartoon, and also in all of the original movie releases (the original trilogy) they censored out in particular Michelangelo's nunchaku, because I don't know. Maybe in the past the UK had a serious issue with ninjas that we just didn't hear about in the US. The point is, the movies were stuck toeing a fine line between boring and too violent, with varying degrees of success depending on the movie.

Repo Men

Certainly looks edgy right?

"For a price, any organ in your body can be replaced. But it can also be repossessed."

Hey everyone, welcome back to the Tagline, where it's all pulp sci-fi all the time apparently. Today I am going to be talking about Repo Men, a movie that is not Repo: The Genetic Opera. Are they similar? I don't know, I haven't seen that, because I didn't want to so sue me. This movie has Jude Law in it, so that instantly made it more interesting to me, also it looked pretty violent. I was not disappointed in THAT regard for sure. Repo Men is another science fiction story set in a dystopic future where artificial organ technology has advanced wildly, so that virtually any organ can be replaced. The caveat is that distribution of these organs is controlled by a company that charges astronomical prices for them, because its the shitty future, and people often are coerced into getting these organs because otherwise they'll die. Then again, the average person can't pay 750,000 dollars for a new heart, and so they end up going into delinquency and then it gets kicked over to collections. As you've probably deduced, that's where the repo comes in, If someone misses enough payments, the property gets repossessed. Out of their chest cavity. You might have guessed that having a guy stun you and literally carve your heart out often results in a distinct case of death. They have that whole Temple of doom thing going on, ripping the heart right from your chest, only with less lava I suppose.

Divergent

Roofstander: The Movie.

"What Makes You Different, Makes You Dangerous."

Fortunately there is no chance of anyone or anything becoming dangerous in this movie, as there is nothing unique or different happening. Hello everyone, welcome back to The Tagline! Today I'm going to talk about the impossibly long-running film Divergent (it is STILL in theaters for some reason) Starring the always bland and uninteresting Shailene Woodley, who is attempting to assert herself on the big screen after her turn on The Secret Life of the American Teenager, which I assume people must have watched because she is still working. Divergent is the latest in the string of adaptations of young adult novels with stubborn strong willed female protagonists who go against the establishment, in order to change their dystopic future society. If I sound so jaded that it even comes through in text, that's because I feel like we can probably explore some other narrative space at this point. I'm sure likable female protagonists can think of something ELSE to do, other than lead a future revolution. Divergent is the first book in a trilogy (all three of which are being filmed) taking place in a world that was almost totally annihilated. In order to organize the post-apocalyptic civilization, individuals are split into one of five factions. Erudites are the smarties, Dauntless are the soldiers, Amity are the happy fieldworkers, Candor are the lawyers, and Abnegation are the selfless public servants and leaders. Also there is a substantial body of factionless refuse that no one seems troubled about, but I guess it's a hard knock life in the future. Beatrice (Woodley) is about to turn 16, and so will soon take the aptitude test and choose what faction she belongs to. Her parents belong to Abnegation, and they are currently in some sort of cold war with Erudite, who as near as I can tell are a bunch of smug douchebags who think they should own the world. Tris ends up getting three different results when she takes her test, meaning that she is divergent. This is not good, and divergent people tend to get disappeared. Beatrice is warned not to tell anyone.

Gravity

I think they could've let go.

"Don't Let Go."

Except for that one part, then you can totally let go. Hello Tagliners, welcome back. Today I'm going to exercise my rights as a card carrying contrarian, by disagreeing with virtually every critic in existence. Correct former friends, today I will be talking about the universally acclaimed and award winning film Gravity. Gravity stars Sandra Bullock as medical engineer Ryan Stone, who is on a space mission and servicing the Hubble Telescope alongside Lt. Matt Kowalski (George Clooney), when a storm of debris from a Russian missile striking an inactive satellite passes their ship, the Explorer, and kills everyone except Kowalski and Stone, and propel them into a life or death situation. The movie is frequently and extensively experienced from the perspective of Stone, who as a novice in space is frequently (and understandably) terrified as she attempts to survive in an extreme situation that undoubtedly would push even the hardiest individual to their limits. The movie is essentially a film about survival, about Stone overcoming existential dread and her personal demons in order to survive and make it back to the Earth. I want it to be known before I get into the rest of my review that I fully understand all of the above. I recognize the movie's intent, and I even recognize that it succeeds at what it sets out to do, and that it accomplishes great things in terms of 3D cinematography. Now that I've gotten that out of the way, let's talk about how I liked the movie. I didn't. I am here to tell you that I did not give a single shit about anything that happened in this movie.

47 Ronin

They fit all the unimportant parts
of the movie onto one poster.

"Seize eternity."

At long last, as promised I will be talking about 47 Ronin today! This film, released on Christmas day, is an extremely fictionalized western take on an already heavily fictionalized series of event that make up one of Japan's most popular stories from the Genroku era, about a group of Ronin (masterless samurai) who seek revenge for the death of their master, who was forced to commit seppuku after attacking an official of the shogunate while in Edo Castle. The ronin planned carefully to slay this official, before then all committing seppuku themselves, as was demanded to satisfy honor. Granted, official records and most versions of the story don't involve witches, dragons, or demons, but the general story is there. This version of the story, like most fan fiction, inserts a totally bad ass OC who is a super fighter who was trained by demons and is all angsty and shit and also has a love story with the daughter of the Ronins' lord. Also this guy is white, because come on HOW COULD HE NOT BE LET'S GET REAL HERE. I'm seriously not kidding though there is a character in this movie that is all of those things and he is played by Keanu Reeves and his name is Kai.